In general, they are all reminiscent of mediocre tones, large volumes and very friendly tested on various Ottolink ebonite and metal mouthpieces, Aizen ls, Meyer, Jody jazz hr, Vandoren optimum al4, Absolute in paste or metal, Guardala crescent, Claude Lakey 64, Berg larsen Steel 95, Yamaha 4C, Selmer D, where they gave excellent feedback especially on openings from 6 upwards. Great in live settings with electric bass and pushing batteries, funky pop rock where you can appreciate the slight scratch that these reeds produce when you push a lot.

The complete line makes use of 6 product classes (rapid, study, volume, determination, tenacious, master), each divided by the five known instruments (4 saxophones plus clarinet sib).

We have chosen trade names that partly recall the Italian nature of the product and that in part give "character" to a classification that is normally indicated only by hardness numbers.

However, we have compared our classes to those most commonly sold by combining them in a constantly developing comparative table.

Our reed is sold complete with a single transparent PVC telescopic package, fitted with a "slide block" (unique and patented fixing system), bagged and sealed with a sticker bearing the quality office approval.